Craftsmanship
Everything begins with the color
Designed, cut and finished in Carpi, Emilia-Romagna.
There are two fabrics in this collection and one color range. That is the whole architecture. Everything else — the trims, the cups, the seams, the way a strap is set — follows from those decisions and is made in the same building where they were taken.
Color
Chosen, not assembled
Most brands build a color range one season at a time and end up with a drawer that does not agree with itself. Ours is chosen as a set: eighteen colorways across most styles, picked to sit together, so a chemise bought in March belongs with a brief bought in September.
Neutrals that disappear, and colors that are the point
Lucent White, Frappè and Peppercorn are there to vanish under everything. Beaujolais, North Sea, Calypso Coral and Pistacchio are there for the opposite reason. Both jobs matter, and a range that only does one of them is only half a range.
The part we will not compromise on
Color is the first decision and the last one we will trade away. It is the reason the two lines work together, the reason the collection photographs the way it does, and the reason a drawer of it looks like it was meant.
Eighteen colors
Chosen, not assembled
- Lucent White
- Frappè
- Pink Lily
- Fuchsia
- Tango Red
- Beaujolais
- Calypso Coral
- Sun Orange
- Golden Yellow
- Pistacchio
- Sage
- Florida Keys
- North Sea
- Navy Blue
- Lavender
- Royal Purple
- Peppercorn
- Black
My Way
One stretch lace, all the way through
My Way is built on a single soft scalloped stretch lace with enough recovery to hold its shape wash after wash. Bralettes, one underwire bra, bikinis, hotpants and thongs — all of it the same fabric, so everything fits the same way and everything matches. Roughly 95% polyamide, the balance elastane.
Valentina
A mesh that weighs almost nothing
Valentina is a fine double-layer mesh — opaque where it needs to be, weightless everywhere else — finished with delicate lace trim at the bust, the neckline or the leg. Trims are either tone-on-tone or deliberately contrasted: a white edge against sage, against coral, against peppercorn.
Two fabrics, one wardrobe
They are made to be worn in the same outfit. The lace does the work that lace is good at, the mesh does what mesh is good at, and because they share a palette you can put them together without thinking about it.
Comfort
We build for the bralette
Our focus is the soft cup, not rigid construction. Cups are lined rather than padded. Straps adjust. Where we can leave out boning and wire, we do — there is one underwire style in the whole collection, for the days you want more shape, and everything else is built to be forgotten about.
The details that decide it
Briefs are finished with a cotton gusset. Seams are flat where they sit against the skin. Bands are cut to hold without gripping. None of this shows in a photograph, and all of it is the difference between something you wear once and something you reach for.
Fit that lasts past the first wash
Recovery is the quiet test of a stretch fabric — whether it comes back after you take it off. It is where cheap lace fails and where the extra cost of making here actually shows up.
How to keep it
Hand wash in cool water. Do not tumble dry. Reshape and dry flat, away from direct heat. Fine lace and elastane last a long time if you are gentle with them, and almost no time at all if you are not.